羌QIANG
GARDEN
ABOUT US
关于我们
关于我们
-
艺术驻地 - 为艺术家提供一个宁静的庇护所，以探索和拓展他们的创作实践。
- 创意集体 - 建立一个由从事跨文化合作的艺术家、学者和创新者组成的国际网络。
-
跨学科生态 - 鼓励艺术、科学和精神之间的交叉，以加深对世界的理解和欣赏。
- 教育赋能 - 通过教育推广和社区项目，关注乡村振兴和可持续发展。
我们的使命是通过艺术的变革力量为乡村振兴赋能，为土地和当地社区注入新Arts programme (Rainee Wang, Mia Zhang, Hazel Yuan) initiated the ‘Blossom Lilies - Digital Qiang Garden’ art resid的活力。我们为青年艺术家提供必要的平台、社区和资金支持，以实现他们的愿景。通过促进羌族古老文化遗产与当代数字艺术之间的对话，我们旨在促进文化的融合，通过创造性的表达方式连接过去与未来。我们的承诺在于营造一个文化鉴赏和艺术创新能够蓬勃发展的环境，激励本地和全球的变革与发展。
The Digital QIANG Garden Residency Program is a vibrant intersection of art, culture, and education, set against the backdrop of stunning mountainous landscapes. We are dedicated to:
Artistic Residency: Providing a serene sanctuary for artists to explore and expand their creative practices.
Creative Collective: Building an international network of artists, thinkers, and innovators engaged in cross-cultural collaborations.
Interdisciplinary Ecosystem: Encouraging intersections between art, science, and spirituality to deepen understanding and appreciation of the world.
Educational Empowerment: Focusing on rural revitalization and sustainable development through educational outreach and community-based projects.
Our mission is to empower rural revitalization through the transformative power of art, injecting new vitality into the land and local communities. We provide emerging artists with the platform, community, and financial support necessary to bring their visions to life. By facilitating a dialogue between the ancient heritage of the QIANG people and contemporary digital art, we aim to foster cultural togetherness, bridging past and future through creative expression. Our commitment lies in nurturing an environment where cultural appreciation and artistic innovation can flourish, inspiring change and growth both locally and globally.
海报渲染、设计：Rainee Wang (驻地发起⼈、主理⼈)
Designed by Rainne Wang(Art Director, Founder)
Designed by Rainne Wang(Art Director, Founder)
来⾃纽约⼤学交互媒体艺术专业的三名热情洋溢的毕业生(Rainee Wang, Mia Zhang, Hazel Yuan)在去年夏天共同发起了“花开上关-数字羌境“艺术驻地项目。带着对艺术赋能乡村振兴和民族⽂化⾛向世界舞台的愿景和⽬标，在她们的组织和倡导下，项⽬得到了帅博体育公司和中国电建成都院团委的协办，茂县富顺镇政府与上关村团委村委会的主办，以及上海纽约⼤学交互媒体艺术部⻔的学术⽀持。在⼴泛的社会⽀持下，艺术驻地项⽬得以为参与的艺术家们提供为期10天的在地艺术创作体验，包括全⾯的场地⽀持、⻝宿保障、以及⼀个充满活⼒的共创社群和丰富的创作⽣态，为他们的艺术探索和创作提供了独特的环境、资源和平台。
Three enthusiastic graduates of New York University's Interactive Media Arts programme (Rainee Wang, Mia Zhang, Hazel Yuan) initiated the ‘Blossom Lilies - Digital Qiang Garden’ art residency programme last summer. With the vision and goal of art empowering rural revitalisation and bringing nationalism to the world stage, they organised and advocated for the project, which was co-organised by Shuai Bo Sports and the Youth League Committee of CECC, hosted by the government of Fushun Township in Mao County and the Youth League Committee of Shangguan Village, and supported academically by the Department of Interactive Media Arts at the New York University in Shanghai. With the support of the wider community, the residency programme was able to provide the participating artists with a 10-day on-site art-making experience, including full venue support, accommodation, a vibrant co-creation community and creative vitality, providing them with a unique environment, resources and platform for their artistic exploration and creation.
在2023年六⽉底，”花开上关-数字羌境“艺术驻地项⽬进⾏了⾸次公开招募，吸引了来⾃中央圣⻢丁、纽约⼤学、中央美术⼤学、南加州⼤学、莱斯⼤学、景德镇陶瓷学院等国际知名艺术院校的超过40位⻘年艺术家参与申请。经过对作品集的审核、创作⽅案的评估和⾯试环节，最终精选出9位具有跨学科创新能⼒的艺术家，邀请他们共同前往四川阿坝藏族羌族⾃治州茂县上关村，在⾃然的怀抱中开展创作探索。
At the end of June 2023, the Digital Qiang Garden Art Residency Programme invited applications from over 40 young artists from internationally renowned art schools including Central Saint Martins, New York University, the Central University of Fine Arts, University of Southern California, Rice University, and the Jingdezhen Ceramics Institute. After reviewing the portfolios, evaluating the creative programmes and conducting auditions, nine artists with interdisciplinary and innovative strengths were selected and invited to travel to Shangguan Village, Mao County, Aba Tibetan and Qiang Autonomous Prefecture, Sichuan Province, China, to engage in creative explorations in the embrace of nature.
2024年8月，一群新面孔汇聚成都。他们来自不同的城市与背景，却带着相似的问题：艺术如何深入地方？怎样与地方文化共创？又能否在数字化时代中为羌族文化与记忆的延续带来新的可能？继去年的"花开上关-数字羌境"艺术驻地项目之后，这场青年艺术家的山野之旅再度启程。
In August 2024, a group of new faces gathered in Chengdu. They came from different cities and backgrounds, yet shared similar questions: How can art truly engage with local communities? How can it co-create with regional cultures? And in this digital age, can it offer new possibilities for sustaining Qiang cultural memory?
他们中有刚从艺术院校毕业的青年创作者，也有活跃于设计、时尚、建筑、影像、音乐、绘画等领域的跨界实践者。这个夏天，他们从北京、上海、广州、杭州、纽约等地出发，一路向西，驶入川西阿坝的腹地。在上关村，羌族人世代生活的地方，艺术家们驻扎十日，开启了一场与土地、声音、语言和记忆的共生之旅。
Following last year’s “Blossoming at Shangguan: Digital Qiang Garden” residency project, this mountain journey of young artists sets off once again. Among them are recent graduates from art schools, as well as interdisciplinary practitioners active in design, fashion, architecture, film, music, and painting. This summer, they departed from cities like Beijing, Shanghai, Guangzhou, Hangzhou, and New York, heading westward into the heart of Aba in western Sichuan. In Shangguan Village—a place where the Qiang people have lived for generations—the artists stayed for ten days, embarking on a journey of symbiosis with the land, its sounds, language, and memory.
在为期10天的驻地期间，艺术家们走进羌族村寨，采访世代传承的手艺人，学习传统绣样的纹样与技法；采集山谷间回荡的羌族音乐与民间乐器之声，记录释比仪式的吟唱与祈语。他们聆听无文字的语言如何在口耳之间流传，也尝试用影像与装置回应那深植于山地的文化记忆。
During the 10-day residency, the artists immersed themselves in Qiang villages, interviewing artisans who have passed down their crafts for generations and studying the patterns and techniques of traditional embroidery. They collected the sounds of Qiang music and folk instruments echoing through the valleys, and recorded the chants and prayers of shibi (ritual) ceremonies. Listening to a language without written form being transmitted orally, they sought to respond to the deeply rooted cultural memory of the mountains through video and installation art.
合作机构